Part 1 Subject

Part1: Subject

TheChoosing Of The Arrowis a statue of a nude Native American reaching to pull an arrow froma quiver on his back. It was the first small-scale Bronze sculpturemade by Kirke at a foundry he had established in New York, Brooklyn.The statue was modeled in 1848 and cast in 1849. It resembles theclassical sculpture made by earlier Renaissance masters such asDontello. The Artiste made the sculpture on Mackinac Island in LakeHuron where he had traveled for inspiration on Native AmericanDesigns. While there, he made a sketch of Ojibwa and Ottawa tribesfirst hand (Kirke).

The choosingthe arrow sculpture was initially given to the American Art-Union whodispensed it through the lottery system. The system stimulatedAmerican interest in Arts during the nineteenth century. Currently,the piece of art is located at the Amon Carter Museum of American Art(ACMAA) in Forth North Texas city. It is also on view in the MetFifth Avenue in gallery761 (Kirke).

The sculptureis made of Bronze and captures incredible detail and variety oftextures. Bronze facilitated the capacity to produce the complexcomposition of physical action associated with the sculpture. Thestatue is 22 inches long, 113/8 inch wide and 55/8 tall or 55.9 x28.9 x14.3 centimeters. The carving was made using the lost waxcasting method that relies on the use of gelatin mold to provide moreprecision. The method enables the production of appropriate texturedetails, and the artists can experiment with various complexcompositions. It also allows the provision of full cast sculpturesinstead of single pieces later assembled into a whole(Kirke).

Part2: Brief description

The sculpturedepicts a nude male warrior who stands in a contrapasso to draw anarrow with his right hand. He also places his bow in the left handready to release the bow (Kirke).

Part3: Form

TheChoosing Of the Arrowsculpture is three-dimensional. It represents a standing figure of amale model from the Ottawa and Ojibwa tribes. It shifts its weightfrom one leg in a contrapasso manner as the character reaches for anarrow over his shoulders with his right arm. At the same time, thesculpture positions his bow in his stylishly placed left arm. Itdepicts a finely detailed warrior with shoulder length hair and adistinctive ornamental knot on the forehead. He represents theIndians of the Upper Midwest (Kirke).

Elements

The sculptureis curvy and depicts a subtle handling of the rib cage, chest andface. It illustrates a clear account of the back musculature as wellas the decorative knot on the Warriors` head. The curvy natureprovides a detailed description of texture and finishing off thesculpture (Kirke).

Unityand variety

The sculptureis symmetrical and indicates a nude Upper Midwest warrior movingtheir right hand to grab an arrow. The proponent proportionatelyplaces their left hand in a position to shoot the shaft. The keyemphasis of the sculpture is the aspects of a combatant about to drawan arrow from a quiver located at their back and ready to attack(Kirke).

Rhythm

The rhythm ofthe sculpture includes a delicate finishing that echoes a physicalform by the artist. The statute’s architecture includes a richbrown patina lacquered by two foundry assistants brought by Kirkefrom France. The sculpture is of modest height and is ideal fordomestic and indoor architecture (Kirke).

Conclusion

The choosingof an arrow presents a specific attention to anatomy and texture. Thesculpture shows a careful finishing of Bronze. It demonstrated theincreasing interest in American themes by providing a realistictreatment of form.

Works Cited

Kirke, Henry. The Choosing of The Arrow.1849.AmonCarter Museum of American Art. FortWorth, Texas.